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Why pack when I can blog?

Well, I fly out to New Zealand today for the Film and History Association of Australia and New Zealand conference. Then I'm back for a couple of days next week before heading off to Germany for another conference and Finland for research (and Christmas).

The travel agents still haven't gotten back to me. Oh well.

In case blogging is even sparser than before, I hope everyone has a lovely [Insert Holiday Here].

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The one where I whinge about preferred suppliers

I'm heading off on a conference/research trip in just under two weeks, so it seems like a suitable time to share some thoughts about the university's preferred supplier-approach to travel agencies. (you may already have guessed where this is going...)

Last year I booked my flights for my first research trip through one of the uni preferred suppliers - they managed to get reasonably cheap flights, I was paid my research allowance by Humanities and GRS to cover part costs of the flights, all was good in the land of me.

This year the same travel agency is no longer on the preferred suppliers list - apparantly there had been lots of complaints about them. So, I'm left with a choice of two preferred travel agents to go through. I send them both emails detailing my requirements (one set of flights to and from New Zealand, one set of flights to and from Europe), and wait for quotes.

And wait.

Eventually I hear from them both - one takes about a week longer than the other to get back to me. The one who was more prompt with its response had a much, much higher price for the flights than the other agency - and they didn't even get me to the airport I wanted to go to in Germany, even claiming it didn't exist. I suspect that that particular agency doesn't get special deals from the airlines that do fly to that airport, so from their point of view it might as well not exist. I sent them a link to the airport's website and soon got a new quote taking me to the right airport. Still too expensive, though.

So, I start going through the booking procedures with the cheaper agency. Since last year Humanities and GRS travel funding had increased a little, so I could tap into some additional funding. Again, not enought to cover the full cost of the flights, but a bit at least. What had also changed since last year was the payment procedure. Last year Humanities sent me a cheque, now the flights had to be paid by purchase order. Given the funds didn't cover the full flights, in practice this meant a purchase order number being issued from Humanities to pay for part of the flights, and the travel agency would then send me an invoice for the remaining costs.

How do you think this all went with a travel agency that had taken over a week to get back to my original query? 

Everything did get sorted out in the end, but there was a week's sudden silence, when both I and the Humanities admin were very confused about whether anything was happening on the agency's end. There seemed to be some change in staff, or different people looking after my booking, so at some point when we wanted to know what was going on the answer basically was "sorry, I don't know - I'll have to wait until I can log on to someone else's computer to find out."

Which was nice.

A few weeks ago I received a Convocation travel award, which requires you to submit receipts to claim the money. The award would almost cover the portion of the flights I had to pay for myself, so I set out to look for the receipts for the flights. I found one for the flights to Europe, but not the one for the NZ flights. When I email the travel agent to ask for the second receipt, I get a response back from someone else to say there's nothing to worry about, the uni paid for those flights so of course they get the receipt, the agency doesn't issue separate receipts anyway.

Except uni paid for half of the flights, I paid for the other half. And the agency had issued a separate receipt for the portion I paid on the European flights, so there should be no reason they couldn't do it for the NZ flights. I point this out to them, and then get a response saying they do have a record of a suitable amount of money being charged to my credit card - they'll fax it over as soon as I send a fax number.

As someone who works from home and doesn't have a fax, I suggested they email me the receipt, just as they had done with the European receipt. Also, the amount that had been charged to the credit card looked to be different (about $70 less) to what I had written on the credit card authority form. Had the price of the flights suddenly changed? 

That was Monday, I'm waiting to hear back. In the mean time I have received e-ticket receipts for my flights, so at least I know it's all been booked and confirmed.

***

I think the preferred supplier-system in travel bookings in nonsense. I don't think it encourages any great measures of customer service on the part of agency - hey, where else are you gonna go? - and I don't think it saves any money. It would have been much easier and much cheaper for me to book flights directly online. Of course, it's the purchase order system that makes this approach impossible as well, so I can't just blame the preferred supplier system for that one.

I just can't grasp why the whole process has to be made so difficult. Surely it should be enough for a student to show they've not booked business class flights, and maybe even that they haven't bought supercheap tickets on dodgy airlines. What exactly does the purchase order/preferred supplier-circus achieve? If there is some real benefit to staff members on flights that are paid in full by purchase order then great, but those who have to pay a chunk of the costs out of their own pocket would most likely appreciate the chance to encourage some good ol' free market competition.

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Ricoeur Cake

Okay, the recipe technically calls it a "5 Minute Chocolate Mug Cake", but since I left out chocolate and was having a break from spending my entire Saturday getting my head around appropriation, mimesis, time and narrative I chose to call it a Ricoeur Cake.

Four tablespoons flour - I used a mixture of wheat and rye flour.

A sprinkling of baking powder.

Three tablespoons sugar. The original recipe said four, but I though that might be a wee bit too much.

Two tablespoons of [insert here]. The original recipe specified cocoa, but I went for a mixture of hazelnut meal, cinnamon, cloves and allspice.

Mix dry ingredients into a mug. Add 

Three tablespoons milk.

Three tablespoons oil.

One egg (via a ramekin or other receptacle of course).

Mix again and microwave for three minutes. Hang the washing while waiting.

Let stand for a bit after the "ping!", then turn out onto a plate and eat. I like to add a dollop of cream just to offset any health benefits I may have accrued with the adding of rye flour and removal of sugar.

I hope you're all having a good weekend...

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Caveat

I've noticed many theses seem to include some kind of caveat in the preface or elsewhere early on. I've found I don't quite know where I sit with them, so here is a loose rambling on about exceptions and clauses...

  • "Such-and-such is beyond the scope of this study" aka "please don't mark me down for theorist X's absence in the lit review."

That's just sensible, I think. Although, would it be better if the scope of the study were made clear in a way that wouldn't require an effective apology at the start? I'm not sure.

  • "Thank you to all the wonderful people who supported me during my descent into academic hermitdom over the past X years, and Girfriend and Grandma for proofreading the thesis. However, all the mistakes that remain are all my own."

Is that final sentence really necessary? Until I read a couple of these it hadn't occurred to me that by thanking someone for their help in bringing ideas together or checking through your work you might be implying any errors in the text meant other people hadn't done their job properly. These ones have, from memory, been mainly in American theses.

  • "I do not have any political affiliations"

I've come across a couple of these, and they result in a double take. Again, it's a caveat I never expected would be necessary, except maybe in theses dealing with particularly pertinent contemporary political issues. So far this sort of caveat has been a Finnish phenomenon.

  • "I have limited myself to the study of novels A, B and C. I have excluded novel D as it has not yet been translated into English."

I would personally feel uneasy about using as primary sources (in a thesis, at least) texts that I could not personally access in the original language. However, I do know there are a couple of books related to my topic out there in languages I can't even read, so unless I pay for the professional translation myself this is a type of caveat I may need to use. What's the general consensus - is this acceptable or a sign of laziness?

  • "just before I submitted my thesis Famous Author published a book on more or less exactly the same topic"

This would be an awkward situation to be in, but it does also show you're at the cutting edge of research - in this particular case the (UWA) author was able to show there were some key differences between Famous Author's and their own work (points to them for being able to do that!) so that despite the similarities the research was still original. I've seen similar caveats in footnotes of journal articles: "after the original submission of this article Person X published the article/book Y that provides a contrasting view to the argument presented here..."  I wonder, how would you react to being 'scooped' in different stages of your thesis? A year in, two years in, six months before submission...?

Have you noticed exceptions and clauses that you either felt would be necessary for you to use, or alternatively ones you you couldn't imagine ever needing?

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Overheard on Campus

Guy on phone: But someone has to turn up as John McCain! Otherwise I'll look like an idiot being Sarah Palin on my own.

Happy anticipation of Halloween, everyone...

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I think I'm going to cry.

 

The dreadful pertinence of PHD comics... 

 

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Saturday (for want of a wittier title)

I spent a completely negligible amount of time all weekend thinking about my thesis. Bliss!

Ben organised a nice little surprise over the weekend: he secretly bought tickets to the Wil Anderson show 'Wilosophy' at the Octagon on Saturday. As you may well remember, stand-up comedy is our 'thing': we went to see a spurt of shows just after our wedding to make up for the fact that we couldn't afford/justify a honeymoon immediately.

We had seats at the very back, but as the venue wasn't sold out the usher kindly showed us seats at the front, so that was nice - although, being the introverted types and this being our first Wil Anderson show we did wonder whether he was an audience participation-type (I suspect we'd rather hide in a closet than sit near the front in a Jason Byrne show, for example). It was of course the 14-year-old boy sitting next to me that got some of the attention during the evening.

On that note, comedians of Australia, is there some sort of pact to tell the same joke upon observing a non-adult in the audience? So far this year we have heard the following three (three!) times by three different people: 

*Comedian observes young boy (it's always a boy) in the audience*

Comedian: Oh hello - how old are you?

Boy: Fourteen.

Comedian: Well - are you gonna learn some new words tonight!

*pause for laughter*

Comedian: Clitoris! Ask your mum, your dad won't know.

*cue uproarious laughter*

Sigh.

Apart from that (and in all fairness, everyone else seemed to be fresh to the quip so we were probably the only surly eye-rollers in the audience) the show was good, amusing yet peculiarly melancholy. The premise of the show was about getting over the break-up of a six-and-a-half-year relationship, so there was a lot of soul-searching and poignant relationship advice involved.

All in all a good night out - we followed the show with a trip to King's Park to take photos of the moon.

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You're standing on my superego.

My thesis may be taking a sudden turn towards psychoanalysis.

Yikesies.

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I wrote almost 2000 words today. Happy dance!

It all started with me first being able to squeeze out a hundred words or so yesterday. I'm starting a new chapter so it's all weird and scary at the moment and I have no real structure to work with yet. As I agonised with the lack of existing structure, Sandra imparted some of her wisdom on me. Just write for an hour and a half in the morning - no references, no email, no searching for articles. Then the rest of the day you can edit, add references etc without feeling guilty about not doing everything at once because  - hey presto! - you've already written the day's quota.

Now, I would bet Sandra's a my perceptions of what count as morning vary, so I substituted "start of the day" instead of "morning", and "1000 words" for "an hour and a half", because 1000 words is my entirely irrational magic number. And it worked - I just started writing and was genuinely impressed at how much I knew about the subject. Of course, having just gone through a mountain of ILL books on precisely this topic helped. So then, after an afternoon of other things (that I did not feel guilty about!) I started putting in the references, tweaking things - and ended up with another 1000 words! I can't tell you how pleased I am with myself right now.

And on that note, I propose tomorrow to be official Sandra Appreciation Day.

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Brief update

My family headed over to the US to meet relatives a few months ago, and a local newspaper published this article about their travels (the image quality isn't fantastic):

The Great Michigan Tour of '08

On my thesis front: not much going on at the moment, I've been tinkering on an article on the Eurovision Song Contest that I want to submit soonish.

I'm also currently doing a little happy dance - I just found out I got a Convocation Travel Award!

 

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Need to stay focused?

Behold, some advice on staying motivated on past/long term projects.

The bit about writing-down-your-ideas has, in admittedly a different format and context, kickstarted me in my thesis work after four consecutive semesters of teaching/procrastinating.

My greatest recent moment in terms of thesis productivity occurred one night a week or so ago. I'd spent the entire day wasting time (possibly googling for advice on how to be productive...) and actively hating research. Then, as I was getting ready for bed I suddenly became very enthusiastic and I felt like my entire theoretical framework fell into place, made sense, and even ticked all of those "original contribution to scholarship"-boxes I worry about.

As it happened I had an A4-notepad next to the bed, and several coloured pens on my bedside table. Ten minutes later I had a colourful mind map telling me what to write. The greatest part was that it still made sense the following morning. And it got me through a bulk of my current chapter.

I may try to convince myself that procrastination is an important part of the process for me. But I suspect it was the mindmapping that actually did it.

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Seven songs from the tundra

Given I'm a champion procrastinator (so far today I've baked a quiche and a cake and done the dishes twice), and fellow Knowledge Pimp/Wondergrad Danica posted a meme on her blog papercut heart today, I thought I might as well volunteer for tagging. I have also been told to update this here blog more often, so that other people may procrastinate with my gentle assistance (some people need guidance in these matters).

Rules: List seven songs you are into right now. No matter what the genre, whether they have words, or even if they’re not any good, but they must be songs you’re really enjoying now, shaping your summer (or winter for those who happen to live down south). Post these instructions in your blog along with your 7 songs. Then tag 7 other people to see what they’re listening to.

(although I will break the rules enough not to tag anyone: I don't want to oblige anyone to procrastinate. I have some social conscience. :-)  Let me know if you want to volunteer)

***

At the moment I'm so completely hearting Apocalyptica that facebook and google have started targeting heavymetal ads at me. Yeah. So I could compile my seven just out of cello melancholia, but I have limited myself to two songs: Unforgiven and Life Burns. I have to say I'm not overly enamoured by their videos - the second one in particular just has too many cliches of gothica thrown in for added 'darkness'. Or maybe it's deliberately kitschy and I'm just too beige to recognise it. Either way, the aural trumps the visual in both.

Apocalyptica: Unforgiven

(okay, so it won't let me embed this. Go see it for yourself.)

 

Apocalyptica feat. Lauri Ylönen: Life Burns

 

Now, next up a song that can't help but make me smile - partly because it's so happy-sounding and bubblegummy, and partly because it has a lovely aftertaste of anarchy to it.

Mika: Billy Brown

 

Every now and then I set my mp3 player to play the next song while I walk to the bus stop. It's a song that is at its best when you're moving. Understanding Finnish also helps.

Tyrävyö: Ajetaan me tandemilla

 

The next two are moderately thesis-related, and are in fact film clips. The first is from Mika Kaurismäki's Rosso, in which an Italian and a Finn, who don't speak the same language, realise they know the same song in their respective languages. The music starts about 45 seconds into the clip. The second is from Aki Kaurismäki's Total Balalaika Show, a documentary of the Leningrad Cowboys/ Red Army Chorus and Dance Ensemble concert in Helsinki in the nineties.

Olen suomalainen/ l'italiano

 

Those Were the Days

 

And finally, a earworm from my Eurovision research. It's glorious.

Marie Myriam: L'enfant et l'oiseau

Culture of the Europeans

I've just registered (or applied? I'm not quite sure how it works) for the Donald Sassoon Masterclass Culture of the Europeans at the end of the year, and thought I should perhaps read the good man's book Culture of the Europeans - 1800 to the present beforehand.

I got it yesterday - at over 1600 pages it's a scary prospect, but so far I'm thoroughly enjoying it. I really appreciate it when a "need to read" book also fits nicely into the "like to read" category.

But please, if you are interested in it, don't recall it from me just yet. Maybe sometime in October I'll be done with it...  

 

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...and a side of baby bonus, thanks.

I don't have a regular blogroll that I trawl through, but there is one blog that I occasionally visit and end up spending far more time reading posts and following links than I had planned. It still surprises me, because it's an economics blog, and economics is boring, right?

(I am re-evaluating my prejudices slightly following my husband's recent stint on an economics course, which he thoroughly enjoyed, coming home each day full on enthusiasm and interesting ideas)

Joshua Gans' CoREeconomics has recently published posts on paid parental leave, climate change, Get Smart, and he even advertised for a research assistant via the blog. Being the smart (S-M-R-T!) cookie that I am, it hadn't even registered before writing this post that some of the CoREecon links are actually to Gans' other blog, Game Theorist. Both blogs are weighted towards parenting-related content from a strategic or economic point of view - combining warm fuzzies with analysis, which is definitely a winning combination.

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